Willow the cat stole my beaded beads - So I’ve created more recipes instead

July 24th, 2008 Jessica

I actually wanted to put up an article today about how to make beaded beads and last week I spent a lot of time making my little collection of colourful beaded wooden beads especially for this post. Anyway, I think there’s nothing worse than losing something than putting something in a ’special place’ only to find that you can’t remember where that special place is! You see, I remember I put my beaded beads away because my little cat Willow wouldn’t stop playing with them. I’m not sure why he liked them so much, but they literally drove him crazy. I’d put them up on a high bench and he’d go jump on anything to find his way to them. I gave him other wooden beads to play with but still he persisted to play with the beaded beads. Maybe it was their texture, or their shine…he really did like them. Anyway, tomorrow I’m going to have a good search for them so that I can write this article. Who knows where they’ll be…hmmm maybe I should get Willow’s help.

So instead today, I thought I’d put up some more versions of the recipe project I posted a couple weeks ago. Here are a variety of different flavours to suit all different tastes…especially the sweet…

and my personal favourite…

Don’t forget these quick and easy recipe kits are available from our store Vitrospective. All the beads are made with handmade beads from high quality Italian moretti and vetrofond glass. What do you think? Any recipe ideas of your own?

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Unusual Bead Designs - Lampwork Hollow Beads

July 21st, 2008 Jessica

Have you ever heard of a lampwork hollow bead? I was really surprised when I first saw these beads Tom made. They are great big baubles of glass filled with air. The interesting thing is that they are not made through blowing glass, but they are actually made through the process of trapping air. First, Tom makes two disc shaped glass beads, he then joins them by adding more glass meanwhile ensuring the space between the two discs stays hollow. As you can imagine, they are a little tricky to make. But I think they are definately worth the effort. Hang them off a sterling silver chain, or rope, these hollow beads look so great just on their own. Here are a couple of Tom’s hollow beads.

This one reminds me of a golden Incan city - It’s made with transparent amber Italian Vetrofond glass, with a Raku coated centre.

.

And this one reminds me of the ocean. Made with Vetrofond Italian glass this bead also has a raku coated centre.

If you would like to buy any of these handcrafted beads, just visit our store Vitrospective. Otherwise, I hope you enjoy seeing his work. And don’t forget there is only another week to enter the lampwork giveaway competition. Visit here for your chance to win $100 worth of gorgeous handcrafted beads. Good luck!

Posted in I Love Lampwork Beads | No Comments »





How to increase and decrease in Right Angle Weave

July 19th, 2008 Jessica

Today’s lesson is a really simple one, but at the same time an extremely useful one: decreasing and increasing in right angle weave. If you would like to know more about right angle weave you can go here to find out how to do this basic stitch. If you haven’t tried decreasing and increasing before, then it really is such an easy step to learn, and knowing these skills can help expand your beadwork, helping you to add more dimension to your work. Increasing and decreasing is great for sculptural work with seed beads, and is really useful for covering objects. Personallly, I use decreasing more frequently than increasing. Mostly because I find it the easier of the two and as I always like to do things the easy way (it does get me in trouble at times) I will always choose to decrease my work than increase. I absolutely love making beaded beads and soon I will put a project up for a beaded wooden bead, but first things first, this is an important lesson you must know before hand. Yes, you must know your theory before the fun stuff can begin. But don’t fret, this is just too quick and easy to learn.

To decrease simply pass through two beads from the previous row, where you would normally pass through one.

To increase, add on two beads where you would normally add on one. Then in your next row, you will make a new unit for each new bead added.

It really is that simple. So if you’re feeling confident you could try experimenting a bit. There are many projects you can try out your new skills here. Have fun!

Posted in How do I ?....beading basics | No Comments »





Cute and Colourful Polymer Clay Buttons - Free Project -

July 18th, 2008 Jessica

I’m not exactly sure why but lately I’ve been attracted to making jewellery with lots of colour and vibrancy. Perhaps it is these dreary winter days (I grew up in Queensland and after having sunshine my whole life it really affects you moving to a place where the winters are long and cold - I’m still adjusting after five years). You may remember my last project was a garden bead daisy chain necklace - with those gorgeous little garden beads by Tom. So I was feeling kind of inspired to make my own beads too. I’ve had this stash of polymer clay in my cupboard for some weeks now, and thought I should finally make use of it. If you’ve never used polymer clay before, it really is great fun medium to use and you may feel like your regressing to childhood as your fumbling around with colourful clay. At the same time don’t let this simple project fool you. Polymer clay can be used to create all sorts of amazing looking jewellery. Check out these gorgeous birds, Joo Joo and Moo Joo from the Joo Joo etsy shop or Amy’s amazing polymer squid and octopi pieces. I’m going to put up some millieofore projects too at a later point (I’m working on a blue beachy necklace) but for now I thought I’d put up this really simple project. Although I initially wanted to make beads I did end up making these delightful little buttons. They are easy to make and with lots of bright colours they are great as a kids project. Another great thing about thesse buttons is you only need the smallest amount of clay, so it is a good way to use up any scrap clay. When working with clay you may like to wear latex gloves, to avoid getting your fingerprints on the beads. It is also good idea to use a seperate pair of gloves for each colour so you don’t get any other colours bleeding into each other. I usually use fimo or sculpey polymer clay. I find that fimo is a little bit firmer than sculpey so it takes a little bit more effort to condition and sculpt. While sculpey tends to be softer to manipulate, I find that it blends into other colours really easily (bit too easily at times), so personally I prefer fimo, but of course the choice is entirely up to you.

So here it is:

Tools

2 colours of fimo or sculpey polymer clay

needle for piercing

Oven for baking

Step One

Select the two colours for your button

Step Two

Condition your clay by rolling and squashing between your hands. When your clay feels nice and soft and doesn’t crack, make two little balls. As the white clay is going to be the base it needs to be a little big bigger than the red top colour.

Step Three

Press down each ball firmly with your thumb. The white clay should be about 3mm thick and the red clay should be only 1mm thick.

Step Four

Place the red clay on top of the white clay and push down slightly.

Step Five

Pierce two holes with a needle, ensuring your needle goes all the way through to the other side.

Step Six

Bake in oven for approximately 15 minutes (130 degrees celcius). Check your packet instructions for exact time and temperature requirements. Or go here for sculpey and here for a general guide on several other different polymer clay types including fimo

That’s it. So all you have to do now is find a way to use your buttons. They are great as clasps for any of your handcrafted work, or perhaps you may want to make a bead and button necklace like Don Mae from This Years Dozen. I made a girls button bracelet simply by stitching them onto a basic beaded peyote stitch bracelet.

Posted in DIY Jewellery Ideas, Get creative......free projects | No Comments »





How to make a Lampwork Garden Bead and Daisy Chain Necklace - Free Project -

July 16th, 2008 Jessica

As you may remember a couple weeks ago I posted an article on how to make a garden bead grow. As promised, this post includes a free tutorial for the daisy chain necklace with the garden bead. I really love these garden beads, they are like little magical worlds captured in a bead.

Tom has handcrafted a wonderful selection of artisan garden beads. Each one of our garden beads is unique. Find the perfect garden for you. I have made this pattern with a lovely blue garden, so you may like to vary the colours of the seed beads to suit your own garden bead.

Read the rest of this entry »

Posted in How do I ?....beading basics, Let's get serious...beading for money and bead shows | No Comments »





Win $100 worth of beautiful artisan lampwork beads by Vitrospective!

July 14th, 2008 Jessica

Win this beautiful artisan lampwork bead set

handcrafted by Tom from Vitrospective!

Beautiful swirls of orange, red, and yellow, these beads are made from the highest quality Italian moretti and vetrofond glass. With such vibrant colours these beads will brighten up any piece of jewellery.

The lucky winner of this competition will receive all of the beads in the photo - six lentil beads, one focal bead, and eight smaller spacer beads. That’s $100 worth of beautiful beads! See a larger photo and full details of beads here.

To win all you have to do is say why you would like to win this bead set and what you plan to make from the beads. See Christine Mole’s Moonlight on the Water or my Lampwork Lantern Earrings for some ideas. The best response will win. The winner will be announced in two weeks. Good luck!

win this beautiful lampwork bead set

Posted in I Love Lampwork Beads | 12 Comments »





Quick Trick - What is a stop bead? A very basic beading tutorial

July 14th, 2008 Jessica

What is a stop bead?

A stop bead is simply a bead that you thread on at the beginning of your work, which is designed to stop the rest of the beads from slipping down the thread.

Put simply, a stop bead stops other beads from moving.

The stop bead is only used temporarily. It is usually removed when the piece is finished where a toggle or clasp is added instead. Sometimes you may continue beadwork.

How do I add a stop bead?

Simply pick up a bead and pull it to the end of your thread, leaving a tail of about 8 inches (20cm). Pass the thread back through the bead and pull taut until the bead is secure.

how to add a stop bead

That’s it. Now you’re ready to bead. Perhaps you may want to try the freshwater pearl spiral bracelets or right angle weave pearl necklace as your beginning projects.

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Oh Inspiration, Inspiration- Wherefore art thou?

July 11th, 2008 Jessica

Do you ever have those days where you feel completely and totally uninspired?

You have a wonderful selection of beads, you even (amazingly) have spare time to create, but for whatever reason you just can’t seem to summon up any creative energy to begin beading. Perhaps, you have so many ideas you just don’t know where to start—I often experience this similar feeling with housework, when there is just so much to do that all I can do is just stand around looking flabbergasted, secretly wishing with willpower alone I could make it all tidy – a ridiculous longing caused by watching Mary Poppins too many times as a youngster no doubt—or perhaps you are completely devoid of any ideas at all. So what do you do?

Here are five quick ways to help spark a little bit of inspiration…

Browse the Internet – well you’re here already so I’m sure you must have some appreciation of the vast amount of beading inspirations available on line. I find that looking up google image search can be a great way to find beautiful galleries and pictures of people’s work.

Try something new – There is a familiar saying that a ‘change of scenery’ can rejuvenate the soul. In the same sense perhaps your creativity could be reignited with a change in your technique or medium. I know I always find new ventures exciting. So why not try something you’ve never tried before – if you always work with wire, why not try beading, if you always work with beading, why not try making polymer clay beads and jewellery. Resin, precious metal clay, fleece, stringing, knotting, embroidery, crochet, french knitting, ceramics, buttons, polymer clay, paper mache, enamel, woodwork, carving, lampworking….oh the possibilities!

Sketch Book – I always keep a little note pad with me – even when I go out. I began this practice with my journalism studies, but soon discovered it was a great way to jot down creative ideas when they came to me spontaneously. You just never know when an idea may come to you. Perhaps a cashier in a supermarket wearing a beautiful piece will re-invigorate your imaginative spirit. Perhaps a beautiful bird on your way home triggers a spark of spontaneous creativity. Scribble, draw, jot down ideas. You won’t necessarily use them all, but you will develop a wonderful resource book that you can look back to when you are in need for some fresh ideas.

Magazines, Books - Like the Internet, books and jewellery magazines have an abundant supply of projects and inspirations. Your local library will most likely stock many beading books. If you’re not already a member I highly recommend that you join. Not everyone is going to have the budget to buy all the beading books and magazines they would like, so by joining the library you can try out several different books, and save your money. Then of course, you can later purchase your favourite books knowing they are exactly what you want.

The Dice Man - Have you ever heard of the dice man? I remember seeing an interview on television some years ago with this man who apparently lived his whole life by making decisions according to the roll of a dice. Call it fate, call it chance, call it craziness, you have to admit when it comes to jewellery it could be fun. So if your tossing up a few ideas but can’t make up your mind why not play a gambling game and let fate make the decision for you. I studied music several years ago and had an incredible learning experience when our lecturer forced us to write a song according to the draw of the hat. And of all things I had to draw out punk! (especially challenging, as I had never ever written a punk song before). So why not try this similar game:

Write down the colour possibilities for one draw (you may like to draw more than one colour inspiration, remember this is just a guide). For another draw, write down several inspirational words. And again for another draw, write down the technique or medium.

Put all your ideas into a hat, each draw at a time. You will have a colour draw, an inspiration draw, and a technique draw. Now simply put the three random selected words together and there you have it…a completely fresh inspiration.

Here are some examples - which may help get you started:

If your still feeling completely stumped or demotivated, beading gem has another 16 ideas to increase your beading mojo or you can check out beading daily’s 5 exercises to unblock a creative block.

And what about you, do you have any other ideas to help re-invigorate inspiration? Please do share your ideas in the comments below.

Posted in And all threads in between.....general beading fun | No Comments »





How to Make Money from your Handcrafted Jewellery – Ten Tips for Craft Markets and Stalls

July 10th, 2008 Jessica

If you make beaded jewellery or crafts and you’ve been thinking about selling your work, then craft markets are a great way to start making money from the hobby you love.

Indeed, Tom and I have found markets to be one the best avenues for selling our work. While you probably shouldn’t expect to make a fortune (although if you work at it consistently you might) it most certainly can increase your income or as they say, “pay the rent”. Another great thing about craft markets is that they are a great way to spread knowledge of your name and product, which is a great bonus if your business is supported with an on-line store (I’ll write an article about this in the near future).

So if you’ve been umming and aahhing, procrastinating and waiting, here are 10 tips that will help you get started with your own craft stall.

1. Find the right market for your product.

Lets face it. Not all shoppers are the same. Some are willing to pay more money than others, some are more environmentally conscious, some prefer unique items rather than mass produced goods, and others just don’t know what they want. Likewise, markets vary enormously. Within my vicinity alone (albeit I admit there is a huge market culture out here in the hills) there are several different types of markets, there are trash and treasure markets, recycled – sustainable living markets, handcrafted only markets, school fete markets, festival markets, antique markets, and just the old fashioned general bric and brac.

Knowing your markets niche or style is vital, as the style of the market will be the best indication of what kind of shoppers will be there. Remember markets with a wide selection of cheap goods are obviously attracting bargain hunters and from experience I know how difficult it is to sell handcrafted bracelets for $60 when the stall next door is selling bracelets for $5.

For handcrafted jewellery I highly recommend “handcrafted-only” markets in a location that attracts tourists. Of course there are always exceptions to the rule, and the best way to really know which market to sell your work at, is simply to give it a go.

Look out for special occasions in your area - School functions and fetes can be a great way of selling your work especially if you make jewellery for children. In fact, if you don’t already make jewellery for children I highly recommend it. Tom and I usually have at least a small section of jewellery for the littlies, these are popular and also attract mothers (and fathers). If you make your product from recycled goods, try the sustainable living markets. Big music festivals can be another great way to sell your work (although they can be a little harder to get into and generally cost more). Yet, if you know your product is suited to the clientele you will have the added bonus of a successful market in a great fun environment. See Beth Millner’s post on three good reasons to vend at music festivals.

2. Don’t wait - Start now

If you’re thinking it’s just too cold or too far away from Christmas to start your market I urge you to think again. Jewellery is one of the most popular stalls at any one market and as a result, most market administrators have a set quota of jewellery stalls for each market. Generally speaking most markets will have no more than 5% of any one market type. For example, a fairly large market with one hundred stalls with a 5% quota, will allow only five markets to sell jewellery. So as you can see, there are not too many places available.

I know in my area there would be very little chance for a new jewellery market vendor to be able to start up a stall in the summer Christmas period. The best way to get accepted into a market is to get in early. Market holders who have shown commitment during the ‘dull period’ will be given ‘first choice’ or guaranteed spots during the busy Christmas period. Likewise, many market administrators offer special prices for long-term market stall holders, so in making a long term commitment you may be able to save money too.

In all, commit to doing the market over the winter period and I assure you all the painful early morning setups, freezing cold days, and low market attendance days will certainly pay off. The day before new years eve was one of our best market days last year. Yet last week we had a terrible cold day with hardly any customers. Despite this horrible period in retail at the moment, Tom and I persevere as we know that our commitment to doing the markets will pay off (literally) at the end of the year.

Of course, you may not always know whether the ‘lull’ is due to a general low attendance at that time of year, or whether it is in fact due to a generally poor attendance market. The best way to find out is to simply ask a market stall holder who has been selling at that market a long time (Perhaps best not to ask a competitor though). Most people are friendly, and willing to share insight.Take a look at what others are selling. Look at their prices. Other factors to consider whether the market might be generally poor is to check the location, size, and parking availability. Also find out whether there is any obvious marketing or advertising for that particuliar market. These factors are important in determining whether the market you have chosen is a high quality market. In deciding whether to ’stick with’ a market during a ‘lull period’ really requires your intuition.

3. A few good investments

Unless you live in a place where you’re guaranteed no rain and no sunshine whatsever, then I highly recommend investing in a canopy. For one, you want to protect yourself and your products from rain, wind and sun. And secondly, you want to protect your customers. Yeh sure, you can always depend on the weather report but honestly, weather is as unpredictable as a bead rolling on a table top – you just don’t know which way its going to turn. I have seen stall holders make this mistake before and believe me, having to clear up all your stock in the pouring rain and windy weather does not look fun. Also remember that many markets have time restrictions on when you can bring in your vehicle for packing up. So if rain comes unexpectedly, you may even be ’stuck’ at the market till closing time. If you provide a comfortable place for your customers, then they are more likely to spend time at your stall. In fact, you may even make a sale because a customer has had to use your stall to protect themselves from the rain (I know we have). If your stall is inside then that’s another story of course.

Be sure to check with the market administrators first to see if they supply tables. Otherwise, it is a good idea to buy yourself some fold up tables. And don’t forget chairs (I’ve never been to a market yet that supplies chairs) market days can be long so unless you want to be on your feet all day- take a chair.

A nice big cloth to throw over your table/s adds that attractive finish. When choosing your cloth you may be tempted to buy something decorative and vibrant in colour, but try and stick with a fairly plain pattern neutral colour. Remember it is your jewellery that needs to be the focus, not your cloth.

Pin boards are great to use as display boards. You can buy these really cheap from a hardware stall or general supermarket. Simply attach some black or white velvet cloth to make them pretty. The height of these boards filled with lots of attractive jewellery can work wonders in grabbing customers attention from afar. If you make crafts try hanging items down your canopy. This cascading effect looks great. Create layers, utilise colours - Use that wonderful creativity of yours to make your stall look enticing to your customers.

4. Have enough stock

I admit, this is not going to be an easy task to accomplish. Anyone who makes handcrafted goods knows the biggest deterrant in making jewellery is simply - finding the time. So how much stock is enough stock? You’ve got to be realistic. If you only have a few bracelets and necklaces, then there is not much point spending money and time to set up a stall (if you want to make money that is). I think perhaps just as important as having enough stock, is having a wide variety of stock. Remember everyone has a particuliar taste so the best way to encourage more salaes, is by offering a wide range of goods to target a wider range of people. Something as simple as using different toggle clasp can be all it takes to secure a customer. Some customers prefer toggles, some prefer smaller lobster clasps, some prefer sterling silver, some prefer daintier styles, some prefer earthy colours, some prefer vibrant colours. Try an offer a little of everything. Also, find projects that are fast and simple and take advantage of them. It really only takes one day of work to make about fifty pairs of simple beaded earrings. Don’t just make complex, intricate pieces, as this will take too long to increase your inventory. Make a blend of simple (and cheaper) goods, as well as more time-consuming extravagant pieces and you will not only increase your stock quickly, but will have an excellent range of goods to offer your diverse clientele.

5. Clear price signage

I guess this goes without saying. But still, I have often been to stalls where there is no obvious price signage or tags. This is a nuisance. Customers should not have to ask for the price. Likewise, if you are busy talking with another customer you may lose another, simply because they waited too long just to find out the price. The local newsagent in my tiny town sells packets of string labels for a few dollars. These look cute (add your own stamp or signature) and are easy to attach to jewellery items. We also use large print outs - You should be able to laminate these at a local post office or print shop. So, what price should you sell your jewellery at? This is always a topic of contention for many people selling handcrafted goods. Indeed, pricing jewellery is a whole other story and in the future I will dedicate a whole post on this topic. For the time being though you might like to look at this blog post by Chris Parry, he has an interesting price formula you can download.

6. Be Prepared with change

The last thing you want to do after you make a sale is make a customer wait while you run around like a frantic chicken trying to find change from the stall holders around you. This is not only annoying for your customer but also annoying for your fellow stall holders. Be prepared. Take enough change and be strategic in your pricing so that change isn’t a problem. Tom and I don’t sell anything for $19.95 or $9.95. In all honesty customers are smart enough to know it’s not cheaper than $10 or $20. (The main reason major supermarkets do this is to prevent staff from stealing. As statistically most customers do wait for 5c change and therefore the shop assistant has to key it through the register). For a market stall, of course, we do not need to take such preventative measures. So be simple in your pricing - not $9.95 - $10, not $19.95 - $20. A money belt is also a good investment. Sure, you might look like a daggy tourist from the 80’s, but it is definately the easiest and safest method for keeping change.

7. Be Prepared for accidents

Liability - Whether you like it or not, this is a must. I have to admit, I was a little surprised to hear this at first because I don’t really think there is much that can go wrong with our stall (I’m touching wood as I write this). All the same it is best to be safe. The last thing you want is a major law suit because someone slipped over near your stall and hit their head on your table (touching wood again). Even if you think an accident is most unlikely, you can never be too sure. So do protect yourself and get liability, even if the market administrators don’t require it. Most major craft market administrators will offer casual liability cover at a reasonable amount (I’ve been charged around $5 to $8 for a day). However, if you plan to commit to having a market stall for a long period of time I do suggest buying directly from an insurance agency. You can buy a years insurance, starting from around $250AU. So if you plan to do a moderate one market a week, you can see that the savings will add up very quickly. Some liability policies also cover for bead shows, if you’re intending to do shows, this is a great option. You can dramatically increase your savings as many major bead shows have rather high liability costs.

8. Get adequate sleep

Most markets require very early morning set ups. If you’re anything like me (I am a shocking grouchy grinch when I’m tired), I really do suggest getting as much sleep as you can prior to having your market stall. After all, your customers won’t want to deal with a tired, yawning shop assistant. Which brings me to the final point:

9. Be Pleasant

I think there is nothing worse than a grumpy or unfriendly sales assistant. These are four things I can’t stand in a sales assistant.

Number one: a shop assistant who speaks really loudly on their mobile phone. Honestly, gossiping is not an attractive attribute in anyone let alone in a sales attendant.

Number two: A sales assistant who gossips loudly and ‘fools around’ with their co-assistants. I believe this can sometimes (not always) be a little intimidating for the customer.

Number three: A sales assistant who ignores you completely.

Number four: A sales assistant who lies to you.

I think being a good sales assistant requires a bit of a balancing act: you want to make your customers feel welcome and comfortable at your stall, and at the same time you don’t want to make them feel intimidated by being too overbearing. I find the best method is a simple hello, and a friendly smile (nothing beats a friendly smile). Give the customer personal space to look at your goods. If a customer asks for your advice, be honest. If something doesn’t suit them, looks too big or small, don’t just lie to them to try and get the sale. In the long run, this is certainly not worth it. Firstly, despite putting a major dent in your karma, you can guarantee the customer will not return. If something doesn’t suit the customer, direct them to another product that does. If it is too small or too big, be honest. Customers will feel grateful for your honesty.

10. Go that little step further

Continuing from the previous tip, Tom and I always take our tools with us. In the case that a product is too small or big for a customer we can easily make adjustments. Generally we make our products a little bigger than smaller. There are two reasons why this works. Firstly, it is a lot easier for us to shorten an item of jewellery than to lengthen it. Secondly, I think it is a little bit more ego boosting for the customer to have an item that needs to be reduced than increased. Vanity sizing perhaps - But it works. There have been many times I have taken off a bead, to shorten a piece of jewellery. In this case I quickly add a head pin and make the spare bead into a pendant. I do this at no extra cost. Small gestures like these are appreciated. If you take the step further people will be appreciative for it. Small acts of kindness never go astray.

In all, the craft markets are really fun way of showing your work and getting involved in the community. Despite the cold, and very early mornings, I really do always have fun selling jewellery at the markets and I hope these tips may inspire you too, to become a part of the wonderful, crazy, colourful, world of the craft market.

Posted in Let's get serious...beading for money and bead shows | No Comments »





How to make a freshwater pearl spiral bracelet in one hour - A free project -

July 9th, 2008 Jessica

Here are three reasons why the spiral stitch is one of my favourites:

One - It is so easy to do. This is in fact the first stitch I ever learnt and without any prior beading experience I found it really fun and simple to learn, so even if you’ve never attempted beading before don’t be afraid to give this project a try.

Two - It works up length quite quickly. As you may already know, I like beading projects that are fast. Perhaps it has something to do with a short attention span or lack of patience, I’m not sure, but like my fast and funky right angle weave bracelet or peachy freshwater pearl necklace, this project is quite fast to make. Allow yourself about one hour to complete this project.

Three - It looks so nice and feels great to wear. The spiral stitch’s flexibility is a real asset for bracelets and necklaces.

In fact there are probably far more than three reasons why I love the spiral stitch. I think perhaps one of the greatest things about this stitch is that experimentation is really fun, as you can’t really go wrong. The stitch is that simple! You could try changing bead sizes and styles; you could try passing through a different amount of beads each time. The more you experiment the more you will discover the amazing array of possibilities available with this great stitch.

So here is a little spiral secret I’ve discovered that works just beautifully for making bracelets (and necklaces too).

I call them the slinky, spiral, seaside bracelets – made with a variety of freshwater pearls and a lovely coordination of colours; these bracelets are one of my best sellers. Just remember, you don’t have to use freshwater pearls, stick with just using seed beads if you like. Don’t be afraid to experiment. In fact, there are no limits. The basic principle of spiral stitch (and perhaps all beading stitches) is…

Basic instructions + little bit of innovation = wonderful creations

Purple and green freshwater pearl spiral beaded bracelet

Approx. 2-3 grams of size 6 green seed beads A

Approx. 5 grams of size 11 ceylon purple seed beads B

(I generally like to use Japanese seed beads but you can use cheaper seed beads if you like - Just try and use beads that are similiar in size)

18 Dark green freshwater pearls C

18 Lime green freshwater pearls C

36 Dark purple freshwater pearls C

2 silver plated bell cones

2 silver plated eye pins

2 silver plated jump rings

1 silver plated lobster clasp

Thread

Needle

Round Nose Pliers

Pliers

Step One

Thread your needle with a stop bead leaving about 20 cm (8 inch) of thread.

Add four (size 6) green seed beads (See Diagram One).

Diagram One

Step Two

Add another (size 6) green seed bead, two (size 11) ceylon purple seed beads, one dark purple freshwater pearl, and two more (size 11) ceylon purple seed beads. Now pass the thread through the last three beads you stitched on in step one, and the very first green bead you picked up in the beginning of this step (See Diagram Two).

Diagram Two

Step Three

Once again, add one green seed bead, two ceylon purple seed beads, one lime green freshwater pearl, and another two ceylon purple seed beads. Now pass the thread through the four green seed beads to form the base, (picking up three beads from the previous steps and the one green bead you just picked up in the beginning of this step). N.B. The beads are adjacent to one another (see Diagram Three). Pull your thread, so the purple seed beads sit on top of the base lime seed beads and push the purple seed beads and freshwater pearls to sit beside the other beads sitting on the outside of the base.

Diagram Three

Step Four and Five

Continue adding one (size 6) green bead, two (size 11) ceylon purple seed beads, one freshwater pearl* and again two (size 11) ceylon purple seed beads. Pass through four green seed beads to form the base (passing through the three green seed beads from the previous steps, and also picking up the green bead from this step).

*To achieve the colour pattern of the bracelet, alternate the freshwater pearl colours with each step. As follows

One dark purple (as in step 2)

One lime green (as in step 3)

One dark purple (step 4)

One dark green (step 5)

Repeat .

Here are the steps for Spiral Stitch summarised in a chart.

1st step only - Thread: 4 x A, 2 x B, 1 x C, 2 x B, pass through all four A beads to form base

Every step (except the first) - Thread: 1 x A, 2 x B, 1 x C, 2 x B, stitch through 3 A’s (already in base from previous steps) and 1A from this step.

Finishing off your bracelet

When your bracelet has reached the required length attach an eye pin to the end of the piece with your thread. Do this by wrapping the thread around the eye pin and tying knots. Repeat, this many times – stitching the thread back into the bracelet and tying knots and wrapping around the eye pin. You should wrap the thread until the eye pin is securely attached. The eye pin may still move a little but do not worry. Finish the thread by weaving into your work and tying a final knot - seal knot with a little nail polish. Now, add a good dollop of clear nail polish (or pvc glue) over the tied knots on your eye pin. Let dry, then place your silver plated cone, over the eye pin (see Diagram Four).

Diagram Four

Now trim the excess length from your eye pin leaving enough to curl. Curl end so that the bell cap fits securely on the end of the bracelet. Remove stop bead from other end of bracelet and attach eye pin in same way. Attach jump rings to the ends of the eye pins. Finish off your bracelet by adding lobster clasp (see Diagram Five). (Oh and I know the clasp looks like a toggle in the diagram but I hope you can forgive me because I couldn’t figure out how to draw a lobster clasp in photoshop).

Diagram Five

Changing Thread

I usually use enough thread (about 1.5 metres) so I only have to change the thread once throughout this project (because I dread changing thread).

When you have only about 13cm (5 inches) of thread left, weave it back into the base beads. First weave back through two of the base beads. Tie a knot. And weave again through another two. Tie another knot. Seal your knots with clear nail polish.

To start your new thread, work in the same way as finishing your old thread but reversed. As you will be passing your thread through the same section where your old thread is finished be careful to not undo this prior work. Also try and aim to tie your knots in alternative placement to where you tied your knots in finishing your thread.

Add new thread by weaving it in about five beads prior to where your works ends. Weave through two beads. Tie knot. Weave through another two beads. Tie knot. Weave through one more bead and you should now be ready to continue your work. Seal knots with clear nail polish and trim ends.

If purple and green is not your thing, then perhaps this topaz golden brown bracelet may inspire you instead. This one is made with high lustre Japanese topaz seed beads, and freshwater pearls of lemon yellow and cinnamon brown. You can see more colour varieties of this spiral stitch bracelet at Vitrospective.

Topaz freshwater pearl spiral beaded bracelet

So how did you go? If you have come up with any other clever combinations or know different ways of doing this spiral stitch then please do share your ideas in the comments below. I’d love to hear your thoughts.

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